Géhenne
Ismaël Saidi
15/01/2017
27/01/2017
Having taken part in an attack during which several people died or lost the use of their legs, a prisoner meets an officially appointed priest, whilst at the hospital where he regularly goes for treatment, he has rowdy conversations with a woman who has lost her reason. Buoyed by the success of Dijhad, Ismaël Saidi presents the next chapter of his reflections on radicalism.
Calendar
Date
Hour
Sunday, January 15
2:00 pm
Tuesday, January 17
8:00 pm
Wednesday, January 18
7:00 pm
Thursday, January 19
8:00 pm
Friday, January 20
8:00 pm
Saturday, January 21
8:00 pm
Tuesday, January 24
8:00 pm
Wednesday, January 25
7:00 pm
Thursday, January 26
8:00 pm
Friday, January 27
8:00 pm
Tarifs
- Plein tarif 23 €
- 65ans+/Carte prof/Groupe10+ 21 €
- -30ans/Pro/Dem.d'emploi 11 €
- Groupe scolaire 8 €
- -15ans 7 €
- Etudiants Conservatoires Art de la parole 5 €
Distributions
Interprétation Shark Carrera, Audrey Devos, Ismaël Saidi
Texte et mise en scène Ismaël Saidi
Scénographie Yvan Bruyère
Maquillage Myriam M’khrchef
Musique Ismaël Saidi
Costume et accessoire Théâtre de Liège
Régie Xavier Barbier
Production Théâtre de Liège, Aviscène ASBL
Dance
Pedros - Portrait croisé d’un père et son fils
It's a choreographed portrait of a family of dancers, where ties between old and new generations are woven, bringing us closer.
Theater
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The most real fictional writer in literature, inspired by the works of Nobel laureate J.M. Coetzee, reappropriated by one of the masters of European theater.
Theater
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Theater
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Dance
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A hybrid performance – blending dance, theater, and visual arts – that mixes the grotesque, the comic, and the terrifying, pushing the boundaries of the stage.