Al fondo riela (Lo Otro del Uno)

Extrait de Trilogie pour guitares Rocío Molina
31/01/2024
  • Duur: 70'
  • Location : Salle de la Grande Main

An iconoclastic choreographer with an international reputation, for several years, Rocío Molina has been building her own unique language surrounding flamenco, a traditional form of artistic expression that began in the 17th century in the south of Spain, while embracing the avant-garde movements of our era, from which a resolutely innovative flamenco has emerged, the essence of which is yet still preserved.

For Al fondo riela (Lo Otro del Uno), the Spanish choreographer fills an understated stage with black and blue tones, and accompanied by two musicians, she explores the innumerable facets of flamenco and the infinite polyphonic possibilities offered by the guitar — the ultimate instrument of Andalusian dance. Narrating the genesis of her art, emerging from the fusion of dance and music, Rocío Molina shares with us an intimate score, full of authenticity, which reminds us of the need to cultivate our everyday amazement.

 

 

Calendar

Date Hour
Wednesday, January 31 7:00 pm

Tarifs

  • Plein tarif 31 €
  • 65ans+/Carte prof/Groupe10+ 26 €
  • -30ans/Pro/Dem.d'emploi 13 €
  • Groupe scolaire 8 €
  • -15ans 7 €
  • Etudiants Conservatoires Art de la parole 5 €
Book

Distributions

 

Avec Rocío Molina (danse), Óscar Lago (guitare) et Yerai Cortés (guitare)

Idée originale, direction artistique et chorégraphie Rocío Molina

Composition musicale Eduardo Trassierra et Yerai Cortés

Développement conceptuel Nerea Galán

Direction artistique Julia Valencia

Scénographie Antonio Serrano, Julia Valencia, Rocío Molina

Conception lumière, animation et projection Antonio Serrano

Conception son Javier Álvarez

Conception costumes Julia Valencia

Création costumes López de Santos

Fabrication chapeaux Benjamín Bulnes

Création costume Lycra Maty

Chaussures  Gallardo Dance

Direction technique Carmen Mori

Technicien lumière Antonio Valiente

Régie María Agar Martínez

Direction générale et gestion de la production El Mandaito Producciones S.L.

Production Danza Molina SL

Coproduction Chaillot, Théâtre national de la Danse, Paris ; Théâtres Canaux – Communauté de Madrid ; Biennale de Flamenco de Séville ; Théâtre de Nîmes, Scène Conventionnée d’intérêt national – art et création – Danse Contemporaine ; Scène Nationale de Sud-Aquitain

Avec la collaboration de Teatro Cervantes de Málaga

Aide à l’accueil PICE – Programme d’Internationalisation de la Culture Espagnole de Acción Cultural Española, et de l’Ambassade d’Espagne en Belgique

Avec le soutien de INAEM

Photos

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