For the first part of the performance, the company D’ici P. based its work on paintings of the Belgian artist Michaël Borremans. The woman who draws herself in Phasme and who is extremely well interpreted by Lise Vachon, is a timeless character whose history and inner self come out piece by piece. A woman full of contradictions, who is free and imprisoned, still and moving, all at the same time. Movements to fill the void, to fill time and to let us hear this endless wish to live. Sillon, the second part of the show but the first part of Variations sur l’immobile, is a masterpiece composed by Boris Gronemberger and beautifully interpreted by the wonderful dancer Sara Sampelayo Fernandez. In only 17 sensitive minutes, Fré Werbrouck succeeds in creating a weightless style, made of fragmented and very light movements, clouded sounds, broken rhythm, silence and whispers. A suspended moment, in which the image and the movement, as well as time and beings mix and form a whole.
Phasme
Conception Claire Farah, Eve Giordani, Fré Werbrouck
Chorégraphie Fré Werbrouck
Dramaturgie Eve Giordani
Interprétation et chorégraphie Lise Vachon
Scénographie et costumes Claire Farah
Musique Boris Gronemberger
Lumières Marc Lhommel
Production Cie D’ici P.
Coproduction Les Brigittines, Charleroi Danses, le Théâtre
Marni et le Centre Culturel de l’arrondissement de Huy. Avec
l’aide de la Fédération Wallonie Bruxelles / Service Danse, de
la SACD et de WBT/D. Accompagné par le Grandstudio.
Sillon
Conception et mise scène Fré Werbrouck
Création et interprétation Sara Sampelayo Fernandez
Musique Boris Gronemberger
Images Eve Giordani
Production Cie D’ici P.
Coproduction Théâtre Marni et le Centre Culturel
Jacques Franck.
Avec l’aide de la Fédération Wallonie Bruxelles / Service
Danse. Avec le soutien de la Commune d’Ixelles,
du Pianofabriek kunstenwerkplaats, de la SACD,
de WBT/D et des Brigittines, Centre d’Art Contemporain
du Mouvement. La Cie D’ici P. est accompagnée
par Grandstudio.
