The Dog Days are over 2.0
Jan Martens / GRIP
21/04/2026
In 2014, Jan Martens burst onto the international scene with The Dog Days Are Over, a powerful piece questioning the physical limits of the performer’s body.
More than a decade later, he recreates this landmark work with a new ensemble.
With precise, almost mathematical choreography, he examines the spectacle of exhaustion — performers reduced to bulls in a bullfight for the elites.
Expositions
ARDENTS BARBER SHOPS
The Théâtre de Liège commissioned Liège artist Kelvin Konadu to produce a series of photographs on the city's barber shops.
Dance
Kassia Undead
A journey through medieval aesthetics, inspired by Byzantine liturgical chants
Theater
Hofstade [Diptyque Écume]
A fake pirate ship sailing a man-made sea in search of true dreams