The Dog Days are over 2.0
Jan Martens / GRIP
21/04/2026
In 2014, Jan Martens burst onto the international scene with The Dog Days Are Over, a powerful piece questioning the physical limits of the performer’s body.
More than a decade later, he recreates this landmark work with a new ensemble.
With precise, almost mathematical choreography, he examines the spectacle of exhaustion — performers reduced to bulls in a bullfight for the elites.
Theater
BARBER SHOP CHRONICLES
One day, six cities, a few haircuts, and thousands of stories
Dance
Kassia Undead
A journey through medieval aesthetics, inspired by Byzantine liturgical chants