The Dog Days are over 2.0
Jan Martens / GRIP
21/04/2026
In 2014, Jan Martens burst onto the international scene with The Dog Days Are Over, a powerful piece questioning the physical limits of the performer’s body.
More than a decade later, he recreates this landmark work with a new ensemble.
With precise, almost mathematical choreography, he examines the spectacle of exhaustion — performers reduced to bulls in a bullfight for the elites.
Theater
Kheir Inch’Allah
An intimate monologue about identity, filial love, and the quest for self in a world in flux
