Focus Rafael Spregelburd

17/10/2017 29/10/2017
  • Location : Théâtre de Liège

Originally from Buenos Aires, Rafael Spregelburd is a playwright, director, producer and actor. Founder of the company El Patrón Vázquez, his theatrical universe tries to clear unknown territories. We discovered his hybrid work, mixed and polemic thanks to Marcial Di Fonzo Bo who rides it in France. From the outset seduced by this new wind allergic to fashion and labels, Serge Rangoni sends the pieces to the Compagnie Transquinquennal accurately estimating the compatibility of the two universes. The Théâtre de Liège then welcomes La Paranoïa, which was staged by the infectious Trio des Lucioles, La Estupidez, staged by the Compagnie Transquinquennal, and finally receives Rafael Spregelburd in his former bosom for the presentation of the fruit of his workshop of the École des Maîtres in 2012. Today, we dedicate a great time to it with three of his plays: Spam, Philip Seymour Hoffman, for example and Fin de l’Europe, ambitious editing, to be seen twice or a drama, staged by the author and concretizing his work at the School of Masters.

 

Spam
Raphael Spregelburd / Hervé Guerrisi ( 17 > 28/10)

Philip Seymour Hoffman, par exemple

Rafael Spregelburd / Transquinquennal ( 17 > 21/10)

Fin de l’Europe

Rafael Spregelburd (25 > 29/10)

 

 

Expositions

Collection Uhoda

13.09.2025 30.06.2026
Salle du Fin Cou
Expositions

Space Collection

06.12.2025 04.01.2026
Salle des Pieds légers
Theater

Rumba

16.12.2025 20.12.2025
Salle de la Grande Main
The ox and the donkey from Saint Francis's nativity scene… on a supermarket parking lot
Theater

Foxes

27.12.2025
Salle de la Grande Main
An old dance hall, four children, and a thousand dreams to reinvent their world.
Theater

L’Hôtel du Libre-Échange

31.12.2025 04.01.2026
Salle de la Grande Main
"Safety and discretion! The Free Exchange Hotel, 220 rue de Provence! Recommended for married people… together or separately!"
Theater

Je t’aime plus loin que toi

13.01.2026 17.01.2026
Salle de l'Œil vert
What if the stage were the happiest playground of all?