AppHuman
SOPHIE LANGEVIN & IAN DE TOFFOLI
24/11/2020
28/11/2020
IMPACT 2020 becomes 100% DIGITAL!
FILMED SHOW - FREE
Access to the show will be available for free on this page from November 24 at 8 p.m.
Until midnight November 28.
Thanks to biotechnology, humans seem to be considered as machines, which can be manipulated and transformed. Thanks to nanotechnology, we can improve them, augment them and give them new power. Artificial Intelligence and Transhumanism are the new world orders and technology companies are the new masters. Humans are guinea pigs. Five actors, a screen, computers, sounds, dreams, utopias and resistances occupy the stage, for a dialogue about humanity.
As part of IMPACT
The IMPACT project is based
on the cooperation of the cultural,
research, business and training sectors.
more info
Calendar
Date
Hour
Thursday, November 19
9:00 pm
Tarifs
- Plein tarif 20 €
- 65+/Carte prof/groupe10+ 18 €
- -30/Pro/Dem.d'emploi 11 €
- -15/PlanC.U 7 7 €
- Groupe scolaire 6 €
- Etudiants Conservatoires Art de la parole/ULiège 5 €
Distributions
From 16 years old
CONCEPTION Sophie Langevin & Ian De Toffoli
MISE EN SCÈNE Sophie Langevin
TEXTE Ian De Toffoli
PRODUCTION Les Théâtres de la Ville de Luxembourg
Avec le soutien du Club des Entreprises Partenaires du Théâtre de Liège
Dance
Pedros - Portrait croisé d’un père et son fils
It's a choreographed portrait of a family of dancers, where ties between old and new generations are woven, bringing us closer.
Theater
Elizabeth Costello - Sept leçons et cinq contes moraux
The most real fictional writer in literature, inspired by the works of Nobel laureate J.M. Coetzee, reappropriated by one of the masters of European theater.
Theater
KEVIN
A naïve yet informed look at the foundations, values, and challenges of the school system.
Theater
Knokke-le-Zoute [Diptyque Écume]
An initiatory journey along the Belgian coast, exploring the history of an absent father.
Dance
Lapis Lazuli
A hybrid performance – blending dance, theater, and visual arts – that mixes the grotesque, the comic, and the terrifying, pushing the boundaries of the stage.